Eva le gallienne biography of barack
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Eva Le Gallienne
British-American actress and author (1899–1991)
Eva Le Gallienne (January 11, 1899 – June 3, 1991) was a British-born American stage actress, producer, director, translator, and author. A Broadway star by age 21, in 1926 she left Broadway behind to found the Civic Repertory Theatre, where she served as director, producer, and lead actress. Noted for her boldness and idealism, she was a pioneering figure in the American theater, setting the stage for the Off-Broadway and regional theater movements that swept the country later in the 20th century.
Le Gallienne devoted herself to the art of the theater as opposed to the show business of Broadway. She felt strongly that high-quality plays should be affordable and accessible to all people who wanted to see them. She ran the Civic Repertory Theatre for seven years (1926–1934), producing 37 plays during that time with a company whose actors included Burgess Meredith, John Garfield, Norman Lloyd, J. Edward Bromberg, Paul Leyssac, Florida Friebus, David Manners, Josephine Hutchinson, Alla Nazimova, Joseph Schildkraut, and Leona Roberts.
Life and career
[edit]Le Gallienne was born in London to Richard Le Gallienne, an English poet of French descent, and Julie Nørregaard, a Danish journalist. They married
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Eva Le Gallienne:
A Biography
By Helen Sheehy
Knopf, 529 pages, $37.50
Eva Le Gallienne became a Broadway star in 1921. Even though she was only 22, she knew already that she didn’t want to act much longer in the commercial theater, and she didn’t.
Paradoxically, 55 years later, Le Gallienne was a Broadway star again: Her last major triumph was in a revival of George S. Kaufman’s “The Royal Family.” She played Fanny, the matriarch of a theatrical dynasty, and she had audiences eating out of her hand.
Le Gallienne was born in London to a freethinking Danish journalist and a British poetaster who had invented his own name. As a child, she saw Sarah Bernhardt act, and met the Divine Sarah. At 15, Le Gallienne made her stage debut.
A few years later, Le Gallienne saw Bernhardt’s polar opposite, Italian actress Eleanora Duse, and fell under her spell. Years later Le Gallienne wrote the best book about Duse in English.
Le Gallienne spent her career in America, where she was our most European actress. Her greatest successes were in European plays.
Few actors had her technical resources, fewer still her extensively schooled imagination. Her voice could tell complicated truths, for Le Gallienne was wise, widely read in many languages, an att
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