Giani bernini biography examples

Table cancel out contents :
Front matter
Dedication
Contents
Figures
Acknowledgements
Introduction
Decadent Seicento: representation emergence staff the Baroqueness in description Italian stabilizer de siècle
The Baroque’s revenge: the 1911 jubilee exhibitions and description search be attracted to an European style
Baroque Futurism: Roberto Longhi, seventeenth-century ingenuity, and picture Italian avant-garde
Classical Baroque: representation Seicento station the return-to-order
Baroque memories confine the structure of interwar Rome
Form most important formlessness: say publicly reimagination method Baroque statue during Fascism
Conclusions
Selected bibliography
Index

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BERNINI AND THE ROMAN BAROQUE Paintings from Palazzo Chigi in Ariccia

2021, BERNINI AND THE ROMAN BAROQUE Paintings from Palazzo Chigi in Ariccia

The exhibition Bernini and the Roman Baroque, Masterpieces from Palazzo Chigi in Ariccia presently on view at the Jules Collins Museum, Auburn, AL, presents various reasons of interest, starting with the purpose of introducing the foreign public to the genesis of Roman Baroque while providing a closer approach towards an artistic style that became a protean cultural phenomenon that concurrently spread from Naples to Venice, from Vienna to Prague and from Bohemia to St. Petersburg, to finally assume a planetary dimension throughout the South American continent. The extraordinary gallery of oeuvres on display includes paintings, decorative arts, and a number of original inventions that substantiate the cosmopolitan climate that galvanized the eternal city throughout the seventeenth century as the destination and crossroad of masters coming from all regions of Italy or from foreign European countries. Furthermore, the exhibition invites the visitor to embark on a stimulating journey into the polyphonic and visual universe of the Baroque, with the dual aim of sharing part of our great artistic heritage and generating a transnational

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Gian Lorenzo Bernini

Italian sculptor and architect (1598–1680)

"Bernini" redirects here. For other uses, see Bernini (disambiguation).

Gian Lorenzo Bernini
Self-portrait of Bernini, c. 1623, Galleria Borghese, Rome
Born	Gian Lorenzo Bernini (1598-12-07)7 December 1598 Naples, Kingdom of Naples
Died	28 November 1680(1680-11-28) (aged 81) Rome, Papal States
Known for	Sculpture, painting, architecture
Notable work	David, Apollo and Daphne, The Rape of Proserpina, Fontana del Tritone
Movement	Baroque style
Patron(s)	CardinalScipione Borghese

Gian Lorenzo (or Gianlorenzo) Bernini (, ; Italian:[ˈdʒanloˈrɛntsoberˈniːni]; Italian Giovanni Lorenzo; 7 December 1598 – 28 November 1680) was an Italian sculptor and architect. While a major figure in the world of architecture, he was more prominently the leading sculptor of his age, credited with creating the Baroque style of sculpture.

As one scholar has commented, "What Shakespeare is to drama, Bernini may be to sculpture: the first pan-European sculptor whose name is instantaneously identifiable with a particular manner and vision, and whose influence was inordinately powerful ..."^[1] In addition, he was a painter (mostly small