Graffiti artist biography
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Mr. Cenz (b. 1975) is a London-based graffiti artist. He discovered hip-hop culture and graffiti art in 1988 and began scribbling his first walls. He soon became obsessed with this new and exciting art form and after a few brushes with the law he decided to find ways of developing his skills legally. Since his first commissioned mural at 11-year-old, he has continued progressing and experimenting with his art during his Community Art study at Middlesex University London. This has led to a career as a professional graffiti artist with several solo exhibitions and high-profile commissions internationally.
His distinctive work can currently be seen all over the streets of the world, especially in his hometown of London. It features layers of intricate and flowing letterforms, shapes and line work, which are abstracted in a unique and aesthetically pleasing way. His works are a melting pot of all the different influences and technical skills he has acquired over the years. His work is open to individual interpretation and has been described as ‘surrealist graffiti art for the soul’. His influences range from the old school graffiti artists that inspired him as a kid such as Dondi and Mode 2 to abstract expressionist painters like Paul Klee and Roger Hilto
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Keith Haring
American artist and social activist (1958–1990)
Keith Allen Haring (May 4, 1958 – February 16, 1990) was an American artist whose pop art emerged from the New York City graffiti subculture of the 1980s. His animated imagery has "become a widely recognized visual language".[2] Much of his work includes sexual allusions that turned into social activism by using the images to advocate for safe sex and AIDS awareness. In addition to solo gallery exhibitions, he participated in renowned national and international group shows such as documenta in Kassel, the Whitney Biennial in New York, the São Paulo Biennial, and the Venice Biennale. The Whitney Museum held a retrospective of his art in 1997.
Haring's popularity grew from his spontaneous drawings in New York City subways—chalk outlines of figures, dogs, and other stylized images on blank black advertising spaces.[4] After gaining public recognition, he created colorful larger scale murals, many commissioned.[4] He produced more than 50 public artworks between 1982 and 1989, many of them created voluntarily for hospitals, day care centers and schools. In 1986, he opened the Pop Shop as an extension of his work. His later work often conveyed political and societal themes—anti-crac
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Fin DAC
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Conor Harrington
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