List of milos forman movies
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Milos Forman would&#;ve celebrated his 88th birthday on February 18, The late director, who passed away in , only made a dozen movies in his career, yet several of those are classics (and in the case of two, Oscar winners for Best Picture and Best Director). In honor of his birthday, let&#;s take a look back at all 12 of Forman&#;s films, ranked worst to best.
Born in Czechoslovakia in , Forman first came to international attention with &#;Loves of a Blonde&#; () and &#;The Firemen&#;s Ball&#; (), both of which earned Oscar nominations as Best Foreign Language Film. In those early works, the director showed an affinity for antiauthoritarianism and oddball outsiders that would animate his best work.
He made his American debut with &#;Taking Off&#; (), and just four years later he was collecting his first Oscar for &#;One Flew Over the Cuckoo&#;s Nest&#; (). The comedic drama about a mental patient (Jack Nicholson) rebelling against a tyrannical nurse (Louise Fletcher) became one of only three films (including &#;It Happened One Night&#; and &#;The Silence of the Lambs&#;) to sweep the top five prizes: Best Picture, Best Director, Best Actor, Best Actress, and Best Adapted Screenplay.
Nine years later, Forman joined rarified air by winning a second Best Director Oscar
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Letterboxd — Your life careful film
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Miloš Forman
Czech-American filmmaker (–)
Miloš Forman | |
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Forman in | |
| Born | Jan Tomáš Forman ()18 February Čáslav, Czechoslovakia |
| Died | 13 April () (aged&#;86) Danbury, Connecticut, US |
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| Years&#;active | – |
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| Children | 4 |
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Jan Tomáš "Miloš" Forman (;[2]Czech:[ˈmɪloʃˈforman]; 18 February – 13 April ) was a Czech-American film director, screenwriter, actor, and professor who rose to fame in his native Czechoslovakia before emigrating to the United States in Throughout Forman's career he won two Academy Awards, a BAFTA Award, three Golden Globe Awards, a Golden Bear, a César Award, and the Czech Lion.[3]
Forman was an important figure in the Czechoslovak New Wave. Film scholars and Czechoslovak authorities saw his film The Firemen's Ball as a biting satire on Eastern European Communism. The film was initially shown in theatres in his home country in the more reformist atmosphere of the Prague Spring. However, it was late