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List of 21st-century women artists
This is a partial list of 21st-century women artists, sorted alphabetically by decade of birth. These artists are known for creating artworks that are primarily visual in nature, in traditional media such as painting, sculpture, photography, printmaking, ceramics as well as in more recently developed genres, such as installation art, performance art, conceptual art, digital art and video art. Do not add entries for those without a Wikipedia article.
The list starts with artists born in 1970 and later. For earlier births see List of 20th-century women artists.
1970–1979
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[edit]- Kaoru Akagawa, b. 1973, Japanese, artist
- Liliana Angulo Cortés, b. 1974, Colombian, sculptor
- Jumana Emil Abboud, b. 1971, Palestinian, multidisciplinary artist
- Lida Abdul, b. 1973, Afghan, video artist
- Michele Abeles, b. 1977, American, photographer
- Dhruvi Acharya, b. 1971, Indian, painter
- Lynsey Addario, b. 1973, American, photojournalist
- Golnar Adili, b. 1976, American (b. Iran), multidisciplinary artist
- Deborah Adler, b. 1975, American, designer
- Laurence Aëgerter, b. 1972, French, video artist
- Mequitta Ahuja, b. 1976, American, painter
- Manal AlDowayan, b. 1973, Saudi, installation artist
- Shirin Aliabadi, 1973–2018, Iranian, multi-di
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Photorealism
This article is about the artistic movement. For the use of the term in computer graphics, see Photorealistic rendering.
Genre of art
Photorealism is a genre of art that encompasses painting, drawing and other graphic media, in which an artist studies a photograph and then attempts to reproduce the image as realistically as possible in another medium. Although the term can be used broadly to describe artworks in many different media, it is also used to refer to a specific art movement of American painters that began in the late 1960s and early 1970s.
History
[edit]Origins
[edit]As a full-fledged art movement, Photorealism evolved from Pop Art[1][2][3] and as a counter to Abstract Expressionism[2][3] as well as Minimalist art movements[2][3][4][5] in the late 1960s and early 1970s in the United States.[5] Photorealists use a photograph or several photographs to gather the information to create their paintings and it can be argued that the use of a camera and photographs is an acceptance of Modernism.[6] However, the admittance to the use of photographs in Photorealism was met with intense criticism when the movement began to gain momentum i
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I tenderness the paintings