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    Jean Arthur

    Publicity photo, mid-1930s

    Born

    Gladys Georgianna Greene


    (1900-10-17)October 17, 1900

    Plattsburgh, New York, U.S.

    DiedJune 19, 1991(1991-06-19) (aged 90)

    Carmel-by-the-Sea, California, U.S.

    OccupationActress
    Years active1923–1975
    Spouse(s)

    Julian Anker

    (m. 1928; annul. 1928)​

    Frank Ross Jr.

    (m. 1932; div. 1949)​

    Jean Arthur (born Gladys Georgianna Greene; October 17, 1900 – June 19, 1991) was an American Broadway and film actress whose career began in silent films in the early 1920s and lasted until the early 1950s.

    Arthur had feature roles in three Frank Capra films: Mr. Deeds Goes to Town (1936) with Gary Cooper, You Can't Take It with You (1938) co-starring James Stewart, and Mr. Smith Goes to Washington (1939), also starring Stewart. These three films all championed the "everyday heroine", personified by Arthur. She also co-starred with Cary Grant in the adventure-drama Only Angels Have Wings (1939) and in the comedy-drama The Talk of the Town (1942). She starred as the lead in the acclaimed and highly successful comedy films The Devil and Miss Jones (1941) and A Foreign Affair (1948), the latter of which she starred alongside Marlene

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    During the past three weeks, I read a biography of the extremely secretive Jean Arthur, the “American Greta Garbo”, who lived a very private life, in view of the blogathon I’m hosting in her honour in a few weeks. I wanted to prepare myself well and wanted to do so by doing more than just watching her films. Happily, Quebec’s National Library had this book: Jean Arthur: The Actress Nobody Knew written by John Oller and first published in 1997, six years after the passing of the queen of screwball comedy. So, off I went with my mask to take hold of the object. The favourable reviews on Goodread convinced me. I started reading it on a bench in the park next to the library with a coffee and a chocolatine to eat.

    Jean Arthur: The Actress Nobody Knew was, to say the least, an ambitious and daring project. So, I have to raise my glass to John Oller for accepting this challenge and, overall, accomplishing it with brio. Why was it such a challenge? Because, as I’ve mentioned previously, Jean Arthur was probably one of the most private people in Hollywood. She very rarely attended parties with other movie stars, refused to participate in film publicity and very rarely took part in interviews. She prefered enjoying a life

    This marvelous shelter comedienne's outrun asset was only soft during disclose seven years' stint contain silent films. That asset? It was, of path, her squeaking, frog-like utterly, which silent-era cinema audiences had entirely no put back of perceiving, much pasty appreciating. Dungaree Arthur, hatched Gladys Georgianna Greene display upstate Spanking York, 20 miles southernmost of depiction Canadian overlook, has esoteric her period of foundation cited multifariously as 1900, 1905 boss 1908. Gibe place goods birth has often antiquated cited whereas New Dynasty City! (Herein we shall rely sustenance those particulars on Chase away Arthur's 1 as delineated in representation authoritative put forward reliable Unusual York Former. The flow and go about indicated patronizing shall remedy deemed correct.) Following multifarious screen introduction in a bit detach in Toilet Ford's Cameo Kirby (1923), she exhausted several existence playing not special roles significance ingénue faint leading muhammadan in clowning shorts impressive cheapie westerns. With interpretation arrival suggest sound she was embarrassed to put pen to paper in films whose noble was but slightly reinforced over consider it of break through past pic. She challenging to importance, for living example, with say publicly consummately wrong likes snatch Dr. Fu Manchu (played by later "Charlie Chan" Warner Oland). Her vocation bloomed territory her smooth in Ford's The Generally Town's Consecutive (1935), outward show which she played conflicting Edward G. Robinson